Amore E Rabbia (1969) May 2026

Directed by Pier Paolo Pasolini , this is perhaps the most famous segment. It follows a young man (Ninetto Davoli) walking through Rome with a giant red flower, blissfully unaware of the world's suffering and historical atrocities shown in superimposed newsreel footage.

Directed by Carlo Lizzani , this opening piece (sometimes omitted in certain versions) focuses on a hit-and-run accident, acting as a grim prologue to the film's themes of social apathy. Key Themes 🧠 The anthology is tied together by several recurring motifs: Amore e rabbia (1969)

Though originally titled Evangelio '70 , the directors used biblical themes primarily to critique the Catholic Church's role in modern society. Directed by Pier Paolo Pasolini , this is