Johfu requested the inclusion of "Autumn in New York," "Cherokee," and "The Gypsy".
Lundgren was joined by two of the most disciplined and respected "engine room" players in modern jazz: (bass) and Kenny Washington (drums). Together, they recorded In New York for the independent Japanese label Marshmallow Records . A Masterclass in Standards and Originals
Here is a feature-style look at the 2005 sessions that defined his "New York" sound. The Session: Nola’s Penthouse, 2005 janlundgren.innewyork.zip
The tracklist was a blend of Lundgren’s personal favorites and selections from producer Mitsuo Johfu. It served as a bridge between the American Songbook and Lundgren’s sophisticated European sensibilities.
The subject "janlundgren.innewyork.zip" refers to the acclaimed recording sessions of Swedish jazz pianist in New York City . While he has two notable "New York" projects—the 1996 album New York Calling and the 2005 album In New York —the latter is a cornerstone of his mid-career discography, recently reissued to critical acclaim. Johfu requested the inclusion of "Autumn in New
On May 31 and June 1, 2005, Jan Lundgren entered on 57th Street, a legendary space situated directly above the Steinway showroom. The setting was quintessential New York: a historic studio (since replaced by Billionaire’s Row) where the air was thick with the history of the Steinway pianos below.
Lundgren is often described as a pioneer who melds the bebop tradition with the melodic "coolness" of his Swedish roots. Critics noted that these sessions captured a "supergroup" energy—Lundgren’s ability to create space and maintain a melodic core even while navigating complex, pulsating grooves. A Masterclass in Standards and Originals Here is
Lundgren rounded out the session with heavy-hitting standards like Benny Golson’s "Stablemates," John Coltrane’s "Straight Street," and Wayne Shorter’s "This Is for Albert". The Sound: "The Great European Songbook"
