: Before recording it for Pastel Blues , Simone often used "Sinnerman" to close her sets in Greenwich Village, intending to "shake people up" so they would leave the club "in pieces". Musical Composition
: The song is an African American traditional spiritual that dates back to the early 20th century.
: The recording features Simone on piano and vocals, Al Schackman and Rudy Stevenson on guitar, Lisle Atkinson on double bass, and Bobby Hamilton on drums.
: Simone learned the song as a child from her mother, a Methodist minister, who used it at revival meetings to help people confess their sins.
"Sinnerman" is one of Nina Simone's most iconic and powerful recordings, serving as the 10-minute finale to her 1965 album Pastel Blues . A tour de force of jazz, soul, and gospel, the track is celebrated for its frenetic energy, complex arrangement, and Simone's impassioned vocal delivery. Origins and History
: Clocking in at over 10 minutes, the song features dramatic shifts in intensity, including a famous middle section characterized by rhythmic hand-claps and pulsing piano.
: The lyrics draw heavily from the Book of Exodus and Psalm 78 , depicting a sinner attempting to hide from God’s wrath on Judgment Day. The sinner seeks refuge in "the rock," "the river," and "the sea," only to find no place to hide.
: Before recording it for Pastel Blues , Simone often used "Sinnerman" to close her sets in Greenwich Village, intending to "shake people up" so they would leave the club "in pieces". Musical Composition
: The song is an African American traditional spiritual that dates back to the early 20th century. Nina Simone - Sinnerman
: The recording features Simone on piano and vocals, Al Schackman and Rudy Stevenson on guitar, Lisle Atkinson on double bass, and Bobby Hamilton on drums. : Before recording it for Pastel Blues ,
: Simone learned the song as a child from her mother, a Methodist minister, who used it at revival meetings to help people confess their sins. : Simone learned the song as a child
"Sinnerman" is one of Nina Simone's most iconic and powerful recordings, serving as the 10-minute finale to her 1965 album Pastel Blues . A tour de force of jazz, soul, and gospel, the track is celebrated for its frenetic energy, complex arrangement, and Simone's impassioned vocal delivery. Origins and History
: Clocking in at over 10 minutes, the song features dramatic shifts in intensity, including a famous middle section characterized by rhythmic hand-claps and pulsing piano.
: The lyrics draw heavily from the Book of Exodus and Psalm 78 , depicting a sinner attempting to hide from God’s wrath on Judgment Day. The sinner seeks refuge in "the rock," "the river," and "the sea," only to find no place to hide.
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