: Sergei Polunin’s character is intentionally elusive and cold, serving more as an object of Hélène's desire than a fully realized character. This can make the central connection feel one-sided to some audiences. Final Verdict
: Fans of Annie Ernaux's writing generally praise the film for capturing the book's clinical yet raw look at desire. It doesn't judge the protagonist; it simply observes her. Critiques : Sergei Polunin’s character is intentionally elusive and
: Because the film mimics the cycle of obsession—waiting, meeting, and more waiting—some viewers find the pacing slow or the narrative repetitive. : Sergei Polunin’s character is intentionally elusive and