The Swindle(1997) 90%

: Chabrol frequently pays homage to Alfred Hitchcock. In The Swindle , this is evident in scenes where characters must navigate public events where escape requires "breaking the rules" of social decorum.

The central mystery of the film is their relationship: are they father and daughter, lovers, or merely business partners? Chabrol intentionally leaves this bond undefined, even as they take on a more dangerous scheme involving a corporate treasurer, (François Cluzet), and a briefcase containing 5 million Swiss francs. The Swindle(1997)

Released in 1997, ( Rien ne va plus ) is the 50th feature film by French New Wave master Claude Chabrol . Unlike many of his more caustic portrayals of class resentment, this film is often described as a "lighter" addition to his filmography—a droll, Hitchcockian comedy-thriller centered on the art of the con and the ambiguity of human identity. Plot and Core Dynamic : Chabrol frequently pays homage to Alfred Hitchcock

The story follows two small-time con artists: (Isabelle Huppert) and Victor (Michel Serrault). They travel between French and Swiss resort hotels, running low-stakes scams that involve drugging businessmen and stealing just enough money that reporting the crime would be too embarrassing for the victims. Chabrol intentionally leaves this bond undefined, even as

: The film’s title, Rien ne va plus (meaning "no more bets"), reflects the unpredictability of its plot. By the end, viewers may still be uncertain about who exactly was scamming whom—or the true nature of the protagonists' pasts. Critical Reception